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On the Trend of Chinese Realistic Oil-painting Based on the Globalization


As we step into the 21st century, the development trend of global economic integration has already spread out before us clearly. In the great tide that merges global economic integration and global culture, Chinese realistic oil- painting stem from the west, as one of the oil- painting arts, has been in China for more than 100 years, which has been one of the most brilliant chapters on the human history of art. And with its strong vitality and outstanding artistic charm, it became the most influential picture kind in the class of fine arts of our country besides Chinese painting, and it also developed into a tradition in our country. However, as for the collision between Chinese and Western culture, we face the challenge of the globalization and changeable culture pattern. A comparatively outstanding phenomenon is that an ideological trend of the western modernism propagates its belief on a large scale in China, such as the idea art, art of the video, art of the device, behavior art, etc. were regarded as the mainstream of contemporary art. But in the western countries, after going through the development of centuries, it seemed that the realistic oil- painting has already come to the end. The western modern art has denied it in an all-round way. The shelf painting enters the state of edge in the west on the whole. As regards our country, it has already become a sharp topic that whether this tradition like in the west, has already come to the end and no space to explore too; whether it has development prospector not. Chinese realistic oil- painting is facing the challenge of the era.

Under the global linguistic context cultural globalization is a kind of objective trend in nowadays world culture development, and it is also a kind of historical process. The cultural globalization that we understand is the globalization keeping culture diversified, and it is the globalization that a number of nationalities share many kinds of culture achievement. In the course of culture globalization, such questions as the protection and development of national culture, etc. will surely be put forward. Realistic oil- painting occupies the important status in the artistic development of China's modern art of the canvas. Although Chinese realistic oil- painting faces a great deal of predicaments, it also has more development advantages. It is still the mainstream in China and it has extensive social base and fans. The weaknesses of western modern polish its glamour. If Chinese realistic oil- painting wants meet the aesthetic demand for the times, gets one's own development, we should pay much attention to opening up and creating our own national culture and taking our own way from simply accepting western culture. Chinese realistic oil- painting should make an issue on the model factor of translating the object, which is to combine the concrete and abstract together. Nowadays Chinese realistic oil- painting is in the circumstances of the changeable and pluralism era. It is wrong to think realistic oil- painting has already deduced. If Chinese realistic oil-painting wants to go out of mistaken idea, it should absorb advantages of modern art, abstract painting and others to abundant itself.

Chinese realistic oil painting faces all sorts of challenges in China, and also has a great deal of opportunities for development. In the face of the globalized culture trend and present situation of pluralism art neither we can be conservative, nor we can lose cultural self-confidence. A kind of artistic design is set up on the corresponding national culture accumulation and foundation of the artistic development history. The fact tells us, as the important component of the history of art, Chinese realistic oil- painting will develop and have a magnificent and brilliant prospect for a long time.


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